Terry Adkins

 

Bibliography  

 

Monographs

 

2020

Smith, Heather Alexis, ed., Terry Adkins: Resounding, St Louis, MO: Pulitzer Arts Foundation, 2020

 

2019

Terry Adkins. Infinity is Always Less Than One. Miami, FL: ICA Miami; Durham, NC: Duke University Press, 2019

 

2018

Terry Adkins: the smooth, the cut, and the assembled. New York, NY: Lévy Gorvy, 2018

 

2017

Berry, Ian ed. Terry Adkins. Recital. New York, NY: Prestel Publishing, 2017

 

2016

Terry Adkins: Soldier Shepherd Prophet Martyr: Videos from 1998-2013. Normal, IL: Galleries of Illinois State University, 2016

 

2002

Terry Adkins. Deeper Still. Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida, 2002

 

2001

Terry Adkins: Altar Encore. Eatonville, FL : Zora Neale Hurston National Museum of Fine Arts, 2001

 

1999

Baker, Alex. Relay Hymn. Terry Adkins. Philadelphia, PA: Institute of Contemporary Art, University of 

Pennsylvania, 1999. 

 

1998

Holst, Lise. Terry Adkins: Later Coltrane. Clinton NY: Emerson Gallery, Hamilton College, 1998

 

1993

Clark, Trinkett. Terry Adkins: Parameters No. 12. Norfolk VA: Chrysler Museum of Art, 1993

 

1991

High, Steven S. Terry Adkins: an exhibition. Richmond VA: Anderson Gallery, 1991

 

1986

Terry Adkins: Arbeit / Work 1986 – 1987. Zürich: Galerie Emmerich-Baumann, 1986

 

 

Exhibition Catalogues & Selected Publications

 

2024

Pari, Irini and Dimitris Daskalopoulos, Contemplations of a Collector: Irini Pari in Conversation with Dimitris Daskalopoulos. Paris: Cahiers d’art, 2024

 

2021

Ahmed, Sara., ‘The Sonic Undercommons: Sound Art in Radical Black Arts Traditions’, appears in The Oxford Handbooks of Sound Art, Oxford: Oxford University Press, 2021

 

2017

Let me be an object that screams. Chicago IL: Gallery 400, University of Chicago, Illinois, 2017

 

2014

Celant, Germano. Art or sound. Milan: Fondazione Prada, 2014

 

2009

McGee, Julie L. and Charles D. Carson. Sound: Print: Record: African American Legacies. Newark, Delaware: University Museums, University of Delaware, 2009 

 

2008

Marclay, Christian. Ensemble. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008

1968: Then & Now. New York: Nathan Cummings Foundation and Tisch School if the Arts, New York University, 2008

 

2006

Bloodworth, Sandra and William S. Ayres. Along the Way: MTA Arts for Transit. New York: Monacelli Press, 2006 

 

2005

Double consciousness: Black conceptual art since 1970. Houston TX: Contemporary Arts Museum, 2005. 

 

2004

Kotik, Charlotta and Tumelo Mosaka. Open House: Working in Brooklyn. New York: Brooklyn Museum of Art, 2004

 

2002

Carlozzi, Annette. Time/Frame. Austin TX: Blanton Museum of Art, 2002 

 

2001

Mackiln, A.D. A Biographical History of African-American Artists, A-Z. Lewiston NY: Edwin Mellen Press, 2001

 

2000

Bernard, Catherine and Stanley Crouch. Jazz and Visual Improvisations. Katonach NY: Katonah Museum of Art, 2000

 

1999

Adkins, Terry and Rachel Seligman. Powre Above Powers – Passing Freedom: A work in Nine Dominions. Schenectady NY: Mandeville Gallery, Union College, 1999

Baker Alex. Terry Adkins: Relay Hymn. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1999

 

1998

Narratives of African American Art and Identity: The David Driskell Collection. San Francisco CA: Pommegranate Communications, 1998

 

1997

Folley-Cooper, Marquette, Deborah Macanic, Janice McNeil and Elisabeth Goldson Nicolson. Seeing Jazz: Artists and Writers on Jazz. San Francisco: Chronicle books, 1997

 

1996

Britton, Crystal. African-American Art: The Long Sturuggle. New York: Smithmark Publishers, 1996

 

1995

Mantje, Aldert and Anthony Murell. Other Bloods. Amsterdam: Arti et Amicitatiae, 1995

 

1993

Albee, Edward. Edward Albee’s Other Eye: Sculptural Objects from the Edward Albee and Edward F. Albee Foundation Collections. Brookville NY: Hillwood Art Museum, 1993 

Jones, Kellie. In the Ring. Staten Island NY: Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, 1993

 

1992

The Endowed Chair. New York: Frankiln Parrasch Gallery, 1992 

Brier, Bob. Egyptomania. Brookville NY: Hillwood Art Museum, 1992

 

1991

King, Elain A. New Generations: New York. Pittsburgh: Carnegie Mellon Art Gallery and Carnegie Mellon University Press, 1991

Cadences: Icon and Abstraction in Context. New York: New Museum of Contemporary Art, 1991

 

1989

Powell, Richard J., ed. The Blues Aesthetic: Black culture and Modernism. Washington D.C.: Washington Project for the Arts, 1989

Pillar to Post: Wall Works by Contemporary Artists. New York: Kenkeleba Gallery, 1989

 

1984

Mitchell, Evelyn. African-American Art in Atlanta: Public and Corporate Collections. Atlanta: High museum of Art, 1984

Impressions II: Experiments in Paper. Richmond VA: Institute of Contemporary Art of the Virginia Museum, 1984

 

1983

Cannon, Steve. Jus’ Jass: Correlations of Painting and Afro-American Classical Music. New York: Kenekeleba Gallery, 1983 

 

1980

Poulsen, Ruth C., ed. Dimensions and Directions: Black Artists of the South. Jackson MS: Mississippi Museum of Art, 1980

 

 

Selected Writing & Text Contributions

 

2004

Adkins, Terry. “Notes on the Precious Few A.D.,” in: Journal of Black Studies, vol 35, no.2, 2004, pp. 224-230 

 

1999

Adkins, Terry. “Mapping Grace,” in: Yang Ming-Dye. Kingston, New York: Watermark Cargo Gallery, 1999

 

1998

Adkins, Terry. Later Coltrane. Clinton, NY: Emerson Gallery, Hamilton College, 1998

Adkins, Terry. “Eagle Eyed: The Ethereal Vision of Joseph Egan,” in: Joseph Egan. Munich: Kunstraum Munchen, 1988

 

1991

Adkins, Terry. “Morning Calm,” in: In Nam Chon. Chico: California State University at Chico, 1991

 

Discography

 

1993

Various Artists, Selected Soundspace No. 2: Telefonia-A Transatlantic Performance. For 4 Ears: Switzerland, 1993

 

1992

Various Artists, Bazillus: The Regulator featuring Eddie Harris. The ACT Company: UK and Europe, 1992

 

1991

Various Artists, Extemporaneous-PolyMetra Binetic. Bazillus Records: Switzerland, 1991